Maass writes:
“The toppling of Saddam’s statue turned out to be emblematic of primarily one thing: the fact that American troops had taken the center of Baghdad. That was significant, but everything else the toppling was said to represent during repeated replays on television—victory for America, the end of the war, joy throughout Iraq—was a disservice to the truth. Yet the skeptics were wrong in some ways, too, because the event was not planned in advance by the military. …Read the entire article here. It's an excellent first draft of history.
Very few Iraqis were there. If you were at the square, or if you watch the footage, you can see, on the rare occasions long shots were used, that the square was mostly empty. ... Closeups filled the screen with the frenzied core of the small crowd and created an illusion of wall-to-wall enthusiasm throughout Baghdad. It was an illusion that reflected only the media’s yearning for exciting visuals.”
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