Laika Yaz writes: "Adam's work feels trapped full of pain―and beautifully so―but what's remarkable about it is how close to real it feels. Upon first glance you might not suspect that these works are not photographs of actual, physical objects. The way he manipulates light and texture is so realist that it makes the surrealism of the work itself stand out all the more. Unlike earlier work in the genre, you can't see the marks of computer generation. All you have is the image and the knowledge that it was never really there."
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